And yet his influence is far-reaching, and clearly evident in the work of Tyler the Creator, Earl Sweatshirt, Westside Gunn, and Jonwayne, to name a few. DOOM’s most prolific period came during a time when hip-hop was fully integrating into the mainstream, but he remained too weird to ever have a proper crossover moment. But from a bird’s eye view, his vision always comes into focus, like an art house film that dazzles yet requires repeat viewings to fully appreciate its complexity. The narratives in his songs betray this technique, often sounding disjointed and sometimes difficult to follow. When writing to a beat, he would pull pieces from its pages, assembling dazzling word collages. When Ta-Nehisi Coates profiled him for The New Yorker in 2009, he had the privilege of sifting through his rhyme book, finding disjointed couplets and haphazardly recorded sketches, like puzzle pieces still waiting to be conjoined. He approached his work as a producer in a similar way, assembling various sampled loops and clips ripped from VHS tapes into beats, preferring to leave them mostly intact, offering a roadmap into the influences that formed his psyche. He was a collage artist of sorts, absorbing pieces of ephemera from his life and youth, collecting them in the form of scattered rhymes in notebooks. Dumile rose to the occasion, his lyrics inspired and elliptical, his flow wilful, masterful and wildly unpredictable, spitting unshakeable earworms like tripping off the beat kinda / slipping. A “writer’s writer,” DOOM had a distinctive style defined by wildly inventive single-syllable rhymes that rewrote the rules of rap. ( Author rating: 8.But despite the controversy behind his reclusivity and use of proxies, his talent as a lyricist is unquestioned. It’s a bit utilitarian so you won’t be getting a gatefold or really anything in the way of extra goodies, but if all you want is to own some essential DOOM on wax, this pressing is a really good option. Featuring the original cover art and pressed on dual black vinyl, this is a really nice pressing. However, with this new repress from Metal Face, those scalpers can eat shit. If you were in the market for a DOOM record around the time of his unfortunate passing in 2020, you’ll remember the relative scarcity that allowed vinyl flippers to sell them on the used market for obscene amounts of money. So goes the iconic chorus: “On Doomsday, ever since the womb/‘Til I’m back where my brother went, that’s what my tomb will say/Right above my government, Dumile/Either unmarked or engraved, hey, who’s to say?” The most well-known cut here, “Doomsday,” rides a smooth Sade sample underlined with record scratches. The aforementioned “Rhymes Like Dimes” ends with an extended section of Cucumber Slice trolling both the listener for thinking the track was over and DOOM for his receding hairline.Įlsewhere, the album feels like an homage to golden age hip-hop, often pulling from ‘80s R&B and employing minimal structural progression. On Doomsday Ever since the womb 'til I'm back where my brother went That's what my tomb will say Right above my government, Dumille Either unmarked or engraved, hey, who's to say I wrote this one in B.C. On “Tick, Tick…,” DOOM and MF Grimm rap over a beat with a constantly changing tempo, as though it’s drunkenly stumbling down an alley. “Hey!” samples not just Scooby-Doo, but the gang themselves. Skits routinely sample dialogue from old Fantastic Four cartoons, detailing DOOM and his dastardly deeds. ![]() There’s a pervading sense of playfulness that permeates the record, which was entirely self-produced. Seuss” he declares on “Gas Drawls.” On the rapid-fire funk of “Rhymes Like Dimes,” he says, “I sell rhymes like dimes/The one who mostly keep cash but brag about the broker times/Joking rhymes, like the ‘Is you just happy to see me?’ trick/Classical slapstick rappers need Chapstick.” His bars were complex yet approachable, littered with pop culture references and witty one-liners. During that time away, he honed his craft, both as a producer and a lyricist. ![]() Before reemerging as the now iconic metal-faced villain MF DOOM and dropping his delightfully DIY debut solo record in 1999, Dumile spent years living impoverished in New York. ago ‘Out with the moolah’ as in jumping out of the plane with the money BakerDANGERField6 3 yr. In 1999, one daring MC stood apart from the dirge of mainstream bling rappers and asked, “Why can’t I sample Scooby-Doo?”Īfter the tragic passing of his younger brother, DJ Subroc, and the dissolution of KMD following being dropped by Elektra in 1994, Daniel Dumile, known at the time as Zev Love X, disappeared. Cooper I was like who's that Turns out he was a badass thief who stole a bunch of money by hijacking a plane and parachuting out of it mid flight haha Scaro88 3 yr.
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